Beauty Shoot using Gels and a Beautiful Necklace

Updated: Jul 28, 2018



Concept:

Upon entering a vintage shop in my area, I came across this beautiful necklace by Lacer Suite. I was instantly inspired to create using this piece and to set up a photoshoot. We asked model, Paris, to work with us on this project, as she had the strong eye features we were looking for. The makeup artist used deep blues and focused on making the eyes bold and fierce to tie in perfectly with the theme of the shoot. She styled her hair back and did a fishtail braid to keep the look feminine, yet strong. I used colored gels to bring a distinct pop of color and create distinct shadows.


Finals:

Camera Settings: 1/200 sec, f/8, ISO 64


Setup:


Key Light:

Main Light, Profoto D2, and a 27" Impact Lighting Beauty Dish

The key light, a profoto monolight, was set up high and to the right of the model. Attached to it is a 27" beauty dish with a grid. It was roughly 3 1/2' away from the model. It was at a 45 degree and set up high above her head. It was positioned slightly higher than usual, of which would normally create raccoon eyes in your subject. The purpose of this light was create separation from the fill light, shadow area. It also covered her hair as she held it in her hand.


Fill Light:

The fill light was positioned below the models face, pointing upwards, to fill in the shadow areas. I placed a barn door on it to direct the light to fill the shadow areas around her eyes. The key light was placed too high to completely cover her face, so the fill light helped with coverage, along with applying the red color tone.


Background Light:

The background light, a Profoto D2, had a grid attached to it and a Rosco Blue Gel. The grid was placed on it to narrow the light onto the backdrop. I positioned the light to hit directly behind the model, onto the backdrop. The grid narrowed it enough to create a natural vignette in-camera.

Equipment:

Nikon D850

  • Nikon-designed back-side illuminated (BSI) full-frame image sensor with no optical low-pass filter.

  • 45.7 megapixels of extraordinary resolution, outstanding dynamic range & virtually no risk of moire.

  • Up to 9 fps continuous shooting at full resolution with full AF performance. See more.....


Tamron 70-200mm f/2.8 DI VC USD G2 Lens for Nikon DSLRs

  • Fast F/2.8 aperture throughout the zoom range

  • VC anti-shake mechanism with 4-stop advantage

  • Full time manual focus (FTM)

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Profoto D2 1000Ws AirTTL Monolight

  • Adjustable in 1/10 f-stop increments over a 10 f-stop power range

  • Bursts up to 20 flashes per second with flash durations up to 1/63,000 of a second.

  • High Speed Sync upto 1/8,000s.

  • Shoot in TTL or manual mode. See more....



Profoto B1X 500 AirTTL To-Go Kit, Flash Head, Battery, Battery Charger and Bag

  • Power Type: DC

  • Watt Seconds: 500ws

  • Number of Heads: Includes 1 Head

  • Accessory Mount: Profoto Mount

  • TTL Compatibility: TTL Monolight. See more....






Profoto 4 Barndoor Set for the Zoom Reflector










Profoto Grid Kit with Bag, 5, 10 & 20 Degree Grids

  • Profoto 5 & 10 & 20 Grids

  • Carrying Bag

  • Profoto Warranty

  • See more...






SpiderHolster Single Camera System

  • SpiderHolster SpideLight Camera Holster

  • SpideLight Plate

  • SpideLight Pin

  • SpideLight Single Belt

  • 1/8" Hex Wrench

  • See more....



Rosco igital After Dark Filter Kit, 12 x 12" Sheets

  • Blue filters

  • Yellow

  • A generous variety of vibrant effect colors

  • Type: Filter Pack. See more....


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© 2020 Marcus Isaac Photography

info@marcusisaac.com | Brooklyn, New York